That effect will transfer to everything below the adjustment layer. If I’m trying to apply a LUT to my entire timeline very quickly, I will add an adjustment layer to the top of my timeline and then add the LUT from there. The adjustment layer is perfect for applying an effect to your entire timeline.Here are three that I find the most useful. There’s a whole load of assets in there that are super useful for your videos. One thing that many new users don’t know about in Premiere is the New Item tab. New Item Tab – Bars and Tone, Black Video, Color Matte This is probably my most-used shortcut, and for good reason - it saves time.Ħ. With the Ctrl/Cmmd + K shortcut, you can create a split directly on your timeline at your playhead. It was clunky, and it wasn’t as efficient as I wanted it to be when I wanted to split a clip. One of my biggest pet peeves as a beginner in Premiere was using the cut tool. I use this all the time to batch delete scratch audio off my timeline once I’m done syncing. You can also use the option key to select individual layers of grouped media, such as a video clip with attached audio. Tired of the old Command C + Command V to duplicate your clips? For a quick duplication, simply hold the option key and drag a selected clip to the side to duplicate that clip. One keyboard shortcut you should know is the full-screen shortcut: the tilde key will maximize any window in Premiere, which helps if you would like a quick full-screen view of your program window. Now, you can access your tailor-made space even after you close down the software. Once you’ve customized your space, you can save it by going to Window > Workspace > Save as New Workspace. I’ll also add the Essential Graphics tab over there for quick graphic access. On the right side, I put the Lumetri tab and the Effects tab together so they’re easily accessible during an edit. The three windows that I tend to use the most are the Lumetri Color tab, the Effects tab, and the Effect Controls tab. This is the normal edit page that most editors use. Your Premiere workspace is critically important to the speed of your edits. Now, each folder will have its own corresponding color in your timeline, which will help you keep track of each type of asset, especially if you have many types of audio and video clips from different cameras and recorders. Highlight the clips in each bin, and select a color from the label tab. To organize even further, try color-coding your clips. So to make things easier, organize your assets during ingestion to your hard drive, then when you need to import, you can just drag the folders in. You don’t have to group-select each clip to import them all - you can drag the entire folder into Premiere, and it will automatically turn it into a labeled bin. A little thing I learned to keep it clean from the moment you start your project is by importing folders directly into Premiere.

If you’re like me, you have trouble keeping your project window organized. If you’d like to make a bin full of synced clips, you can select your synced clips, right-click, select group, and then drag those merged clips to a new bin.

Once you click the sync button, your tracks will sync. Remember, your camera needs scratch audio for this to work, so make sure you’re recording onboard audio before you shoot. The sync window will pop up, and from there, select the audio button to sync both tracks. Right-click, and then select Synchronize. I was doing that until I found the much-easier route: the synchronization button.ĭrag your audio and video clip into the timeline, then select both. When I first started using clips recorded on a separate audio and video system, I would always sync each clip individually with a clapper, and use the manual process of lining the clips up correctly.

Learning adobe premiere pro